We wanted her to be something that a little girl could look at, and go, ‘I want to be that.’ It took some iteration.” “Finding Ruby’s design specifically as a giant Kraken was probably one of the biggest challenges of the movie because she's a sea monster and yet we wanted her to feel aspirational. “I love to think that when people think of Krakens, they'll think of Ruby,” says Ruby Gillman producer Kelly Cooney Cilella, also known for serving as a production supervisor on Shrek The Third, as well as a production manager on Puss in Boots and Trolls. theaters today, June 30, continues to live by the age-old saying, “If it isn’t broken, don’t fix it.” And while many studios are looking for ways to do things differently in animation, the team behind the new 3DCG DreamWorks feature Ruby Gillman, Teenage Kraken, which releases in U.S. You just hope that it will create a discussion and that it will help people.”įrom dragons and ogres to yetis, sharks, and even aliens, DreamWorks Animation continues to connect with global audiences by turning monsters to heroes that viewers young, old, and even real-life heroes themselves can look up to. I would love to say we’re in control of what messages get put out there with these movies, but we’re not. There were dozens of people telling us how they felt they could watch this movie and it would help their kids understand that just because their parents were missing a leg, life was not over.
And I'm not talking about one isolated letter.
“I remember we received a lot of letters from veterans coming back from the war with disabilities who went to see the movie with their kids.
“I lost hearing in my left ear during a diving accident, and I don’t think I was thinking of that when I was working on Dragons, but movies surprise you that way,” he says. Before Pierre-Olivier Vincent (POV) spent 14 years of his life as an art director and production designer on DreamWorks’ How to Train Your Dragon franchise, he served in the Army as a diver.
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